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ESSEX FLOWERS - with logos_edited_edited

OVERHANG 2

An pop-up exhibition at ESSEX FLOWERS in NYC

Opening Friday, August 1st from 6-9PM @essexflowers 

 

ro art services presents Overhang 2, a continuation of our pop-up exhibitions at partnering galleries. Opening Friday, August 1st at ESSEX FLOWERS’ 19 Monroe exhibition space, the group show features painting, sculpture, and framed works by Marzena Abrahamik, Leslie Baum, Christina Ballantyne, Jaqueline Cedar, Journie Cirdain, Assaf Evron, Peter Fagundo, Leasho Johnson, MJ Lounsberry, Ricardo Partida, Martha Poggioli, and Dom Smith.

LeslieBaum _time being, ac & lmb,_ acrylic guache, acrylic, and flashe on canvas, 2025, 17

Leslie Baum's "time being, ac & lmb," acrylic gouache, acrylic, and flashe on canvas, 2025, 17 x 22 in.

The “Overhang” exhibition series uses the summer group-show trope for fostering collaborative exhibition opportunities. The first iteration was presented with Goldfinch Gallery, and the second iteration is our first pop-up outside Chicago. I am particularly happy to be bringing the exhibition to ESSEX FLOWERS’s Chinatown location, as my experience with Julius Caesar has made me long admire their artist-run gallery’s spirit and longevity. The collective’s endurance is remarkable among artist-run project spaces, whose value to the community is so profoundly enhanced by the decision of so-many for so-long to join and add their dedication to a communal space.

 

Overhang 2 presents the work of 12 artists who share an intensity in the thoughtful underpinnings of their work, and present them through individualistic style both generous and overt. Themes of the body and landscape both physical and metaphorical wade in and out of focus across the group’s work, made by artists whose collective careers and experience range from the emerging to mid-career. Please join us in NYC for the opening on Friday, August 1st, or come through for weekly hours during the show’s run. The exhibition runs through September 1st with weekly hours Saturday and Sunday from 12-6PM.

-ro

Marzena Abrahamik (b. Poland) grew up in Greece before moving to the U.S. She received a BA from Loyola University and an MFA in Photography from Yale University. Abrahamik is an artist and educator living and working in Chicago. Visually inspired by personal histories and attachments to unachievable yet necessary-for-survival fantasies, she investigates transformation through the formation of community, paying particular attention to policy, gender, and labor. Abrahamik is a 2025 Guggenheim Fellow and received a Fulbright Scholar Award for the 2023–2024 academic year. Her solo exhibitions have been at Galeria Szklarnia 1 (Łódź, Poland) and Johalla Projects (Chicago). Selected group exhibitions include MOCA (Westport, CT), Chicago Cultural Center (Chicago), 6018|North (Chicago), Millepiani (Rome), Weinberg/Newton (Chicago), Special Feature (Chicago), Ignition Projects (Chicago), EXPO Chicago (Chicago), Heaven Gallery (Chicago), The Franklin (Chicago), Chicago Art Department (Chicago), and Soccer Club Club (Chicago). Past awards include the William Bronson Mitchell and Grayce Slovet Mitchell Enhancement Fund Award, Chicago, IL, 2023; Chicagoland Seen Award, Villa Albertine Foundation, New York, NY, 2023; Studies and Research Grant, The Kosciuszko Foundation, New York, NY, 2022; Individual Artist Support – Artist Project (IAS/AP) Grant, Chicago, IL, 2020–2022; Faculty Enrichment Grant, SAIC, Chicago, IL, 2021–2022; and the John Ferguson Weir Award, Yale University, New Haven, CT, 2013. Christina Ballantyne (b. 1990, Houston, TX) is a Los Angeles-based artist working in painting and sculpture. She received her MFA from the School of the Art Institute of Chicago in 2021 where she was recipient of the Helen Frankenthaler award. Solo and two-person exhibitions include Hair & Nails (Minneapolis, MN), Sulk (Chicago, IL), Martha’s Contemporary (Austin, TX), Julius Caesar (Chicago, IL), and Car Wash (Houston, TX). Group exhibitions include Felix Art Fair (Los Angeles), Make Room LA (Los Angeles, CA), Andrew Raefacz (Chicago, IL), Research House for Asian Art (Chicago, IL), and ro art services (Chicago, IL). Leslie Baum (b. 1971, NJ). Baum’s painting practice is invitational in nature and informed by her long tenure as museum educator at the Art Institute of Chicago. Baum received her BA from the University of Vermont and studied abroad at the Glasgow School of Art. Her drawings and paintings are in permanent collections of the Art Institute of Chicago and the Elmhurst Art Museum. Baum’s exhibitions have been reviewed extensively, including in Artforum, Art in America, Hyperallergic, New City, and the Chicago Tribune. She received residencies at Watershed Center for Ceramic Arts, the Nido project in Monte Castello di Vibio Italy, Yaddo, and the Vermont Studio Center. A 2020 DCASE grant funded the creation of pleinairarchive.com, a site documenting her ongoing painting social practice. In 2023, Baum was named one of 50 key members of Chicago’s art scene by New City Magazine. Recent solo exhibitions include ordinary awe, Goldfinch, Chicago (2024) for IRIS and Other Flowers, Compound Yellow, Chicago (2023); The Plein Air Project, Wege Center, Maharishi International University, Fairfield, IA (2022 ); An Instrument in the Shape of A Woman, Chicago Cultural Center, Chicago (2022 ); and A Garden in a Vase, the Drawing Room at The Arts Club of Chicago (2022 ). Participation in recent group exhibitions includes ro art services, Chicago (2025, 2024); Friendship’s Death, Andrew Rafacz Gallery, Chicago (2023); Nido, organized by Michelle Grabner, Monte Castello Di Vibio, Italy (2022); Wheel of Life, organized by Scott Wolniak, Hyde Park Art Center, Chicago (2022); and Plain Air, Carrie Secrist Gallery, Chicago (2021). Jaqueline Cedar (American, b. 1985 in Los Angeles, CA) lives and works in Brooklyn, NY. She received her MFA in 2009 from Columbia University and her BA in 2007 from the University of California, Los Angeles. Solo exhibitions include Andrew Rafacz, Chicago IL (2025), Shelter Gallery, New York NY (2023, 2021) and Platform x David Zwirner (2022). Group exhibitions include Blah Blah Gallery, Philadelphia PA (2025), mtn space, Lake Worth Beach FL (2025), Serious Topics, Los Angeles CA (2024), Kelly-McKenna Gallery, Spring Lake NJ (2024), TV Projects, Brooklyn NY (2023), Long Story Short, New York NY (2023), Shin Haus, New York NY (2022), Smoke the Moon, Santa Fe NM (2022), Ladies' Room, Los Angeles CA (2021), 11 Newel, Brooklyn NY (2021), Peripheral Space, Los Angeles CA (2021), Hesse Flatow, New York NY (2020), Drawer NYC (2020), Field Projects, New York NY (2020), Underdonk, Brooklyn NY (2018), and David Risley Gallery Velvet Ropes, Copenhagen (2018). Cedar has exhibited at NADA New York and Miami and her work is included in numerous private collections. Press includes Artnet, Hyperallergic, Huffington Post, Two Coats of Paint, New American Paintings, Gorky's Granddaughter, Painters' Table, and The Boston Globe. Journey Cirdain (b. 1993, California) is an artist currently based in NYC. Known for her drawings on paper, Cirdain graduated from SAIC with an MFA from the Painting and Drawing program. She has had solo exhibitions with Western Exhibitions (Chicago) and Gallery A (Seattle), and has a forthcoming solo exhibition at Western Exhibitions. Her group shows include ro art services (Chicago), Color Club (Chicago), Western Exhibitions (Chicago), Bridgeport Art Center (Chicago), Green Gallery (Milwaukee), Gallery 308 (Chicago), Patient Info (Chicago), Pinto (NYC), Elmhurst Art Museum (Elmhurst), Mitchell Gallery (Annapolis). Assaf Evron (b. 1977, Israel) is an artist and educator based in Chicago. He received a BA from Tel Aviv University in 2007, and his MFA from the School of the Art Institute of Chicago in 2013 in Photography. He continued his education with a MA in 2017 from The Cohn Institute for the History and Philosophy of Science and Ideas at Tel-Aviv University. Evron’s work investigates the nature of vision and the ways in which it is reflected in socially constructed structures, where he applies photographic thinking to two and three-dimensional media. Collapsing the relationship between culture and nature, his work takes a critical eye on language, experience, and geology with a sense of loss and melancholy emanating from the Anthropocene. His work has been exhibited in galleries and museums internationally including The Museum for Contemporary Art in Chicago, Crystal Bridges Museum for American Art and The Israel Museum in Jerusalem among others. Recent Solo and Two-Person exhibitions include David Slain Creative (Chicago), Arts Club of Chicago (Chicago), S.R. Crow Hall (Chicago), Center for Digital Art (Holon), MCA (Chicago), Elmhurst Art Museum (Illinois), Neubauer Collegium (Chicago), Chicago Architecture Biennial (Chicago), Andrew Rafacz Gallery (Chicago), Haifa Museum for Art (Haifa), Habres + Partner Galerie (Vienna), and The Heder Contemporary Art (Tel Aviv). Selected Group Exhibitions include Gwangju Biennial (South Korea), Julius Caesar (Chicago), Fosdick-Nelson Gallery (NY), Chicago Manual of Style (Chicago), Crystal Bridges Museum for American Art (Arkansas). Peter Fagundo (b. 1971, Minnesota) is an artist and educator living in Chicago. For most of his career, Fagundo has been challenging his painting practice with work on the entanglements and interpersonal gymnastics brought on by a passionate studio practice. He earned his BS from Regis University and an MFA from The School of the Art Institute of Chicago, where he was The Trustee Merit Scholar of 2000. Solo and two-person exhibitions include MLeBlanc (Chicago), Hans Gallery (Chicago), Bianca Bova Gallery (Chicago), The Suburban (Milwaukee), and Devening Projects. Selected group shows include ro art services at Goldfinch (Chicago), Sulk (Chicago), HG Inn (Chicago), Green Gallery (Milwaukee), Shane Campbell (Chicago), The Suburban (Milwaukee), Sugar Gallery (Brooklyn), Three Walls (Chicago), and Hyde Park Art Center (Chicago). Leasho Johnson (b. 1984, Jamaica) is a visual artist working in painting, installation, and sculpture. Born in Montego Bay, Jamaica, Johnson was raised in Sheffield, a small town on the outskirts of Negril. He obtained a BFA in Visual Communications at the Edna Manley College of the Visual & Performing Arts in 2009, and graduated with an MFA in Painting and Drawing from the School of the Art Institute of Chicago in 2020. He was a Leslie Lohman Museum Fellow from 2020-2021 and a Jamaica Art Society Fellow from 2021-2022. He was featured in museum shows including “The Plural of He,” Leslie Lohman Museum, New York, 2024; “Picasso: Fifty Years Later,” Elmhurst Museum, Chicago, 2023; “Fragments of Epic Memory,” Art Gallery Ontario, Canada, 2022; and ‘Jamaican Routes’, Oslo, Norway 2016. He was also a part of the “Jamaica Jamaica” traveling exhibition at the National Gallery of Jamaica, Kingston, 2020, SESC São Paulo, Brazil, 2018 and Philharmonie De Paris, Paris France, 2017. Leasho has shown his work in his home country at several National Gallery of Jamaica exhibitions, ‘We Have Met Before’, 2017, and several Kingston Bienniale, from 2012 to the most recent in 2022. His work is also part of various notable private collections, and Museum permanent collections. Solo exhibitions include Mariane Ibrahim Gallery (Chicago), Western Exhibitions (Chicago), Harpers Gallery (NYC), TERN Gallery (Bahamas), FLXST Gallery (Chicago), NLS (Kingston). Selected group exhibitions include Sean Horton Gallery (NY), PMAM Gallery (London), Jupiter Contemporary (Miami), Kavi Gupta (Chicago), TERN Gallery (Bahamas), The Green Gallery (Milwaukee), and Transmission Gallery (Glasgow). MJ Lounsberry (b. 1996, Iowa) lives and works in Chicago, IL. She received her BFA (2017) and MFA (2023) from The School of the Art Institute of Chicago. Primarily focused on painting and drawing, Lounsberry’s work builds and collapses utopian figurative narratives delving into nature, athletics, and spirituality. Lounsberry had a 2024 solo exhibition with ro art services in Chicago, and exhibited in group shows at Secrist|Beach (Chicago), Rhona Hoffman (Chicago), Goldfinch (Chicago), and Baby Blue (Chicago). She is the recipient of the SAIC Leon W Guggenheim Scholarship 2021. Her first book was published by ro art services in 2024, titled “MJ Lounsberry’s Collected Sketchbooks, Volume. I: 1-3, 2024.” Ricardo Partida (b. 1990, Mexico) is an artist living and working in Chicago. Partida received an MFA in Painting and Drawing from the School of the Art Institute of Chicago in 2020, and a BFA in Studio Art from the University of Texas in 2017. Partida’s work interrogates codes of gender expression and explores themes of solitude and intimacy through voyeuristic portraiture. The artist’s work examines art history and its representation of male desire, particularly gendered visual language and its relationship to the homoerotic gaze. Partida’s work explores themes of gender and desire through role play and metamorphosis. His works depict a perpetually morphing character while remaining authentic to the theme of the Fag Fatale, a homoerotic figure traversing form and dimensions in search of roles for power and desire. Through wandering imagery often drawn from art history, Partida’s work playfully combines it with a visual language both coded and gendered. Solo and two-person exhibitions of Partida’s work include: Subverting Identities at Berntson Bhattacharjee in London, England (2023), Pasiva Toxica at New Image Art Gallery in West Hollywood, California (2022), Death of a Hero, Rise of a Champion at Deli Gallery in New York City (2021), Final Fantasy at Julius Cesar Gallery in Chicago, Illinois (2020); and Evil and Shivering at Baby Blue Gallery in Chicago, Illinois (2020). Group exhibitions and art fairs that have shown Partida’s work include The Hole (NYC), ro art services at Goldfinch (Chicago), Dallas Art Fair 2023 (Dallas), Sotheby’s (NYC), Philips (NYC), 1969 Gallery (NYC), New Image Art Gallery (LA), Steven Zevitas Gallery (Boston), Western Exhibitions (Chicago), Elmhurst Art Museum (Illinois), Monti8 Gallery (Latina, Italy), and NADA House on Governors Island with Baby Blue Gallery (NYC). Martha Poggioli (b. 1988, Brisbane) is an Australian artist and educator living and working in Dallas, Texas. Receiving a BFA from Queensland University of Technology in 2009, Poggioli went on to achieve an MFA from the School of the Art Institute of Chicago in 2019. Her Solo and Two-Person exhibitions include Colorado Springs Fine Art Centre (Colorado), John Michael Kohler Arts Centre (Sheboygan, WI), AddsDonna (Chicago), Julius Caesar (Chicago), SPACES (Cleveland) and Extase (Chicago). Selected Group Exhibitions include Houston Centre for Contemporary Craft (Houston), ro art services (Chicago), John Michael Kohler Arts Centre (Sheboygan, WI), Soloway Gallery (Brooklyn), RainRain (NYC), Rochester Museum of Contemporary Art (NY), Haynes Court (Chicago), Winberg-Newton (Chicago), Bill & Melinda Gates Foundation Discovery Center (Seattle), Rhona Hoffman Gallery (Chicago), MassArt Art Museum (Boston), Mütter Museum (Philadelphia, PA), Kunstgewerbemuseum (Dresden, DE), RMIT Design Hub (Melbourne), Wyndham Art Gallery (Melbourne). Residencies include Sharpe-Walentas Studio Program, Kohler Arts/Industry Residency, SPACES Artist-in Residence in partnership with Dittrick medical History Centre & think[box] at Case Western Reserve University, LeRoy Neiman Foundation Ox-Bow Fellowship, Australian Tapestry Workshop & NEWINC. Dom Smith (b. 1987) is an artist living and working in New York City. Born in Peoria Illinois and raised in Muscogee County, Georgia, Dom Smith attended The School of the Art Institute of Chicago where he received an MFA in Sculpture in 2014. His solo and two-person exhibitions include Junior Gallery (Chicago), Bo Bartlett Center Museum (Columbus, GA), HG (Chicago), and Adler Floyd (Chicago). Selected group exhibitions include HG (Chicago), Modern Life Fine Arts (NY), Emanuil Benaki (Athens, Greece), David Zwirner Gallery (NY), Julius Caesar (Chicago), Roots & Culture (Chicago), Museo Casa Blanca (San Juan), and Museo de Arte de Puerto Rico (San Juan).

Inventory

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Marina Ross

Unusual Weather 3

2024,

9 in x 12 in

Oil on linen

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Marina Ross

Unusual Weather 2

2024,

9 in x 12 in

Oil on linen

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Marina Ross

Unusual Weather 1

2024,

9 in x 12 in

Oil on linen

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Marina Ross

Purple Poppies

2024,

30 in x 24 in

Oil on panel

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Marina Ross

Flashback

2024,

33 in x 18.75 in

Oil on linen

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Madeline Gallucci

Wait

2023,

1.5 in x 42.25 in x 51 in

Acrylic and oil on canvas

titleimage.jpg
Madeline Gallucci

Swim

2022,

30 in x 40 in

Acrylic and oil on canvas

titleimage.jpg
Madeline Gallucci

Spammer

2023,

18 in x 24 in

Acrylic on canvas

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Madeline Gallucci

Mirror (August)

2022,

30 in x 40 in

Acrylic, oil and pastel on canvas

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Madeline Gallucci

Small Risk

2024,

18 in x 24 in

Acrylic and oil on gessoed muslin

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Madeline Gallucci

Scam World

2023,

30 in x 40 in

Acrylic and oil on canvas

titleimage.jpg
Madeline Gallucci

SAVE

2024,

18 in x 24 in

Acrylic and oil on gessoed muslin

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Madeline Gallucci

Mirror (Sorry)

2022,

42 in x 56 in

Acrylic and ink on gessoed paper, framed.

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Madeline Gallucci

Mourn

2024,

18 in x 24 in

Acrylic and oil on gessoed muslin

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Madeline Gallucci

Moonwatch

2023,

30 in x 40 in

Acrylic and oil on canvas

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Madeline Gallucci

Miss

2023,

30 in x 40 in

Acrylic and oil on canvas

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Madeline Gallucci

Mirror (Soaps)

2022,

45 in x 55 in

Acrylic and oil on gessoed paper, framed

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Madeline Gallucci

Loss

2023,

30 in x 40 in

Acrylic and oil on canvas

titleimage.jpg
Madeline Gallucci

Likely

2024,

18 in x 24 in

Acrylic and oil on canvas

titleimage.jpg
Madeline Gallucci

Fallover

2023,

30 in x 40 in

Acrylic and oil on canvas

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Madeline Gallucci

Champagne on the Rocks

2023,

30 in x 40 in

Acrylic and oil on canvas

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Leslie Baum

shaping the day-tn, bk, and dmc

2018,

21 in x 32 in

Acrylic on canvas

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Leslie Baum

shaping the day-rbs, lmb, and dpam

2021,

28 in x 38 in

Acrylic on canvas

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Leslie Baum

shaping the day - ct and lmb

2019,

36 in x 29 in

Acrylic on canvas

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Leslie Baum

shaping the day-ahm, ah, dg

2022,

48 in x 42 in

Acrylic on canvas

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Leslie Baum

a garden in a vase-10.07.20

2020,

18 in x 24 in

Acrylic on canvas

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Leslie Baum

a garden in a vase-7.27.20

2020,

18 in x 24 in

Acrylic on canvas

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Leslie Baum

a garden in a vase - 4.14.21

2021,

22 in x 31.5 in

Acrylic on canvas

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Leslie Baum

a garden in a vase-3.2.21

2021,

22 in x 31.5 in

Acrylic on canvas

titleimage.jpg
Journie Cirdain

Locus (Hoard)

2023,

12.5 in x 12.5 in

Graphite on paper on tondo panel

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Journie Cirdain

Locus (Tiger Lily)

2022,

22.5 in x 22.5 in

Graphite on paper on panel

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Journie Cirdain

Locus (Persephone)

2022,

22.5 in x 22.5 in

Graphite on paper on panel

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Journie Cirdain

Pricked

2024,

8 in x 11 in

Graphite on paper (framed)

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Journie Cirdain

Snip

2024,

8 in x 11 in

Graphite on paper (framed)

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Jennifer Sullivan

Mirror Bed

2018,

46 in x 46 in

Oil and oil stick on canvas

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Jennifer Sullivan

Love Streams

2023,

25 in x 20 in

Acrylic on canvas

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Jennifer Sullivan

Pink Moment

2023,

20 in x 25 in

Oil on Canvas

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Jennifer Sullivan

Kintsugi in Blue

2023,

11 in x 14 in

Oil on canvas

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Jennifer Sullivan

I Sit Upskirt, I Don’t Have Much to Lose

2023,

11 in x 14 in

Oil on canvas

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Jennifer Sullivan

Almost Victorian with You

2023,

11 in x 14 in

Oil on canvas

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Christina Ballantyne

A change at the heart of who they are

2024,

22 in x 22 in

Oil and polyfill on canvas

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Christina Ballantyne

Traversing

2024,

20 in x 24 in

Oil and polyfill on canvas

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Christina Ballantyne

Wisdom Pearl

2023,

11 in x 14 in

Oil and polyfill on canvas

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Christina Ballantyne

I'm Waiting For You

2023,

11 in x 14 in

Oil and polyfill on canvas

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Christina Ballantyne

Illuminated by You

2024,

24 in x 20 in

Oil and polyfill on canvas

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Christina Ballantyne

Who happens when we’re together

2023,

36 in x 48 in

Oil, polyfill, palette knife on canvas

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Christina Ballantyne

Stop and Listen

2024,

20 in x 24 in

Oil and polyfill on canvas

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Christina Ballantyne

Wives I

2024,

3 in x 3.5 in x 5 in

Casein paint and oil on basswood

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Christina Ballantyne

Corner Keeper

2024,

2.5 in x 2.5 in x 5 in

Casein paint and oil on basswood

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Ricardo Partida

Vamp

2024,

18 in x 24 in

Oil on Canvas

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Ricardo Partida

Work Study

2024,

16 in x 20 in

Oil on Canvas

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Ricardo Partida

Emergency Contact

2024,

36 in x 48 in

Oil on Canvas

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Peter Fagundo

She Sells Sanctuary

2023,

36 in x 48 in

Oil on canvas

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Peter Fagundo

Just Getting into New Order

2023,

16 in x 20 in

Oil on canvas

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Peter Fagundo

From the Top

2024,

48 in x 60 in

Oil on unprimed canvas

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Peter Fagundo

Waving Head II

2022,

30 in x 24 in

Oil on canvas

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Peter Fagundo

Dumb White Guy

2022,

24 in x 18 in

Oil on canvas

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Peter Fagundo

Dumb White Guy Waving II

2022,

30 in x 24 in

Oil on canvas

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Peter Fagundo

Rise

2023,

30 in x 40 in

Oil on canvas

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Peter Fagundo

Both Sides Now

2023,

30 in x 40 in

Oil on canvas

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MJ Lounsberry

Two Ladies under Painting of Three Musicians

2024,

74 in x 68 in

Oil on canvas

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MJ Lounsberry

Trumpeter #2 (Tan Lines)

2024,

16 in x 20 in

Oil on canvas

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MJ Lounsberry

Trumpeter #1

2024,

16 in x 20 in

Oil on canvas

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MJ Lounsberry

Trumpet at Night

2023,

46 in x 42 in

Oil on canvas

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MJ Lounsberry

Two Lovers around Campfire listening to Two Trumpeters

2023,

70 in x 66 in

Oil on canvas

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MJ Lounsberry

Painters Red Studio

2024,

74 in x 62 in

Oil on canvas

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MJ Lounsberry

Untitled (Lovers under Music)

2024,

46 in x 50 in

Oil on canvas

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MJ Lounsberry

Halftime Lovers with Music

2024,

61 in x 98 in

Oil on canvas

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MJ Lounsberry

Three Lovers between Two Campfires Listening to Two Trumpets

2023,

80 in x 66 in

Oil on canvas

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MJ Lounsberry

Doubleheader after 'Dance'

2024,

124 in x 74 in

Oil on canvas (diptych)

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MJ Lounsberry

Hand 3

2024,

8 in x 8 in

Oil on canvas

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MJ Lounsberry

Piccolo 2

2024,

12 in x 12 in

Oil on canvas

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MJ Lounsberry

Piccolo 1

2024,

14 in x 11 in

Oil on canvas

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MJ Lounsberry

Kissing Plum Brandy at the Met

2024,

42 in x 46 in

Oil on canvas

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MJ Lounsberry

Skier Girl

2022,

60 in x 64 in

Oil on canvas

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MJ Lounsberry

Weightlifters

2022,

72 in x 66 in

Oil on canvas

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MJ Lounsberry

Three Pairs of Lovers around Campfire

2022,

84 in x 54 in

Oil on canvas

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MJ Lounsberry

In a Forest Being Stretched upwards

2021,

60 in x 60 in

Oil on canvas

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MJ Lounsberry

Campfire Lovers (Midnight)

2023,

70 in x 66 in

Oil on canvas

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MJ Lounsberry

Baseball Girl

2022,

62 in x 74 in

Oil on canvas

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MJ Lounsberry

At Sunset

2024,

52 in x 49 in

Oil on canvas

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Mel Cook

Bridled Tongue

2023,

18 in x 24 in

Oil on Canvas

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Mel Cook

Spectral Rage

2024,

30 in x 40 in

Oil on Canvas

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Mel Cook

The Genesis of Language

2023,

18 in x 24 in

Oil on Canvas

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Mel Cook

A Sound for Lost Prophets

2023,

18 in x 24 in

Oil on Canvas

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Madeline Gallucci

Mirror (Lover's Woods)

2022,

30 in x 40 in

Acrylic and oil on canvas

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Madeline Gallucci

Mirror (Rosters)

2022,

30 in x 40 in

Acrylic, oil and ink on canvas

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Ricardo Partida

Up All Night

2022,

27 in x 38 in

Oil on canvas

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Michael Lopez

Sea of Love/Angel Face/Star 80/Powder

2023,

13 in x 9 in x 10.5 in

Plaster, foam, fabric, elastic, acrylic, gold leaf

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Jennifer Sullivan

Queenie Emerging

2023,

20 in x 25 in

Oil on canvas

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Peter Fagundo

Composition #13

2016

48 in. x 36 in.

Oil on canvas

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Assaf Evron

Words were already taking hold of him

2024,

20 x 24 in

Framed archival print on metallic rag, artist-cut mat, unique

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Assaf Evron

Untitled

2024,

20 x 24 in

Framed archival print on metallic rag, artist-cut mat, unique

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Assaf Evron

Images petrified her

2024,

20 x 24 in

Framed archival print on metallic rag, artist-cut mat, unique

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Assaf Evron

Untitled

2024,

20 x 24 in

Framed archival print on metallic rag, artist-cut mat, unique

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Assaf Evron

A Sad and Insatiable Curiosity

2024,

20 x 24 in

Framed archival print on metallic rag, artist-cut mat, unique

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Assaf Evron

Transfigured but trivial character

2024,

20 x 24 in

Framed archival print on metallic rag, artist-cut mat, unique

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Assaf Evron

Untitled

2024,

20 x 24 in

Framed archival print on metallic rag, artist-cut mat, unique

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Assaf Evron

The Sweet Field of Human Contact

2024,

20 x 24 in

Framed archival print on metallic rag, artist-cut mat, unique

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Assaf Evron

Bodies floating with difficulty

2024,

20 x 24 in

Framed archival print on metallic rag, artist-cut mat, unique

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Assaf Evron

Untitled

2024,

20 x 24 in

Framed archival print on metallic rag, artist-cut mat, unique

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David Sprecher

Skull of Jericho

2024,

5.5 x 7.5 in

Void

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David Sprecher

Cantaloupe

2024,

6 x 6 in

Void

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Jeff Prokash

This Building Is an Ocean

2024,

Dimensions variable

3-Channel video available in multiple resolution formats ; installation options available

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Jeff Prokash

This Building Is an Ocean

2024,

14 x 20 x 5 in

Limestone

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Jeff Prokash

This Building Is an Ocean

2024,

17 x 22 x 7 in

Limestone, plastic bottle, hydrated lime

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Devin T. Mays

Untitled

2024,

13 x 14 x 4.5 in

Sand, plastic bags ; dimensions variable

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Devin T. Mays

Untitled

2024,

40 x 46 x 4.5

Sand, plastic bags ; dimensions variable

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Devin T. Mays

Description

2024,

20 x 2 in

Duct tape

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MJ Lounsberry

Lollygaggers

2024,

120 x 60 in

Oil on Canvas

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MJ Lounsberry

Groovin High

2024,

74.25 x 68.25 in

Oil on Canvas

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MJ Lounsberry

Never Felt This Strange Before

2024,

49 x 52 in

Oil on Canvas

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Christina Ballantyne

Wives III

2024,

3 x 4 x 5 in.

Casein and oil on basswood

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Assaf Evron

I Want to Believe Sea Cucumbers are Happy (GOPR4964.JPG)

2023,

5 x 7 in. print, 11 x 14 in aluminum frame with optimum acrylic glazing

Digital Silver Gelatin Print

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Dom Smith

J.K. Lilly Jr.

2025,

36 x 48 in.

Oil and charcoal on nylon

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Leasho Johnson

Pinchers

2025,

11.75 x 14.5 in.

Logwood dye, charcoal, acrylic, water color, oil, and gold foil on paper and canvas

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Leasho Johnson

You Who Look, Not To Be Held, But To Know

2023,

27 x 35 in.

Logwood dye, charcoal, acrylic, water color, oil, and gold foil on paper and canvas

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Leslie Baum

time being, ac & lmb

2025,

17 x 22 in.

Acrylic gouache, acrylic, and flashe on canvas

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Leslie Baum

time being, fw & lmb

2025,

17 x 22 in.

Acrylic gouache, acrylic, and flashe on canvas

Green dot

600 - 1250

Bright2.png

1250 - 2500

Pink.png

2500 - 4200

Orange.png

4200 - 7500

Yellow.png

7500 - 11500

Purple.png

11,500 - 18000

Dots Pale - Final - with Extra Colors-08.png

18000 - 28000

Dots Pale - Final - with Extra Colors-09.png

28,000 +

Dots Pale - Final - with Extra Colors-07.png

POR

Artboard 163.png

Unavailable

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